Hello, this is Carlton, your doorman...
I watched TV in the 70’s. In 1970 I was 6 years old and we had a TV on which the channels had to be changed using a knob on the windowsill.
Rediffusion was an early version of cable TV and it was successful in the North East area because, believe it or not, until 1974 the only TV channel you could get on your TV with an aerial was the BBC.
I used to love watching
The Mary Tyler Moore Show. It ran in the UK on Tyne Tees from 1972 until 1977 and looking back now I can see I was in ‘homo-training-mode’ as my favourite characters were the camp and quick witted journalist
Murray and
Rhoda the sassy upstairs neighbour. I loved Mary’s apartment with the sunken living room, shag pile carpet and crazy orange patterned fabrics and she was responsible for making me want to work in an office environment where gossip and water cooler chitchat was rampant (mission accomplished since 1987).
The show was unique at the time because a female lead character on TV was leading a happy, successful life without necessarily looking for Mr. Right. The show was able to handle serious issues such as freedom of the press, premarital sex and divorce in an honest, funny, intelligent manner without being preachy and was awarded a record twenty-nine Emmys in it's seven seasons. I bought the
4 DVD box set of the first season of The Mary Tyler Moore Show on e-bay and it arrived yesterday so expect much polyester dressing up and plastic shoe wearing madness in the next few weeks (I prefer a flat pump with an apple motif).
And then it happened.
Hazel Frederick was walking along Nicollet Street in Minneapolis, coming from Dayton’s Department Store, when she saw something she’d never seen before: a pretty dark-haired young girl running out into the traffic in the middle of the street, taking off her hat, and tossing it up in the air. Hazel had no idea why anyone would do something like that, but young people did some strange things these days. As she watched in alarm, Hazel could see the pretty girl was in a lot of danger; the traffic was something fierce, and any kind of accident could happen. As Hazel watched, the girl retrieved her hat, and made it to the other side of the avenue. Since it seemed to be all right, Hazel went on her way, and thought nothing more about it, except maybe, ‘Crazy kids.’ She had more shopping to do, and it was a rare day off for her.
Fast-forward a few months, to Studio City, California: a team of film editors was assembling the footage shot in Minneapolis. The idea was to use shots of Mary Tyler Moore to form a montage, or grouping, of scenes that showed her character, Mary Richards, in her daily life around Minneapolis. The montage was to end with the shot of the hat-tossing, which had turned out spectacularly well. Mary Tyler Moore looked wonderful, and the hat toss was exactly the right exuberant gesture. It had already been decided that the show would have a lot of visual style, and that each episode would end with the actors caught in a freeze-framed moment. The montage was to get this treatment, too, and so the editors were working to freeze-frame it just as the hat swooped into the air. If anyone in the editing room noticed Hazel Frederick behind Mary Tyler Moore, it was probably to wish that Hazel had just kept walking, and hadn’t stared and scowled at Moore. Scowl or no scowl, the shot was too terrific to discard, and impossible to reshoot, anyway. For better or worse, the lady was in the picture.
When The Mary Tyler Moore Show débuted on CBS, the opening montage became famous. Fans soon made a ritual of catching the moment when the older lady behind Mary Tyler Moore appeared to stop and scowl at the actress who was having such a grand time tossing her hat. In Minneapolis, Hazel was recognized by viewers who knew her, including her family, who were the ones to tell her she was on a famous TV show.
Fast-forward to October, 1996: on a visit to Minneapolis, years after The Mary Tyler Moore Show went off the air, Mary Tyler Moore got to meet the lady who had been her inadvertent co-star. The occasion was a book-signing for Mary’s autobiography, After All, at the Mall of America. As curious as any fan about the scowl, Mary asked Hazel the reason for the stern expression. In no-nonsense fashion, Hazel shot back: ‘Because I thought you were going to kill yourself out there!’ She hadn’t been disapproving, she’d been concerned. She’d seen danger in what Mary was doing, and hadn’t wanted any harm to come to her. Mary Tyler Moore was so charmed, she introduced Hazel to the crowd of 5,000 as ‘my co-star’. Many of the people who bought Mary Tyler Moore’s book to have it signed asked for Hazel’s signature, too. Hazel signed as if she’d been doing it forever.
Hazel Frederick had a long and active life, one that finally ended in a Minnesota nursing home in 1999, surrounded by her large and loving family, at the age of 91. To the end of her days, she was famous for her impromptu walk-on. Unusually for somebody with only one television appearance, her obituary was picked up by news services all over the world.
It’s said that everybody who knew Hazel Frederick in her everyday life loved her. Fans of The Mary Tyler Moore Show did, too, and they always will.