If you've never heard of Douglas Sirk, or seen any of his films, you may want to stay far away from
'Far From Heaven'. Melodrama can be a confusing and annoying moviegoing experience. Prepare yourself by buying the DVD of
'All that Heaven Allows' (not least because you'll get to see Jane Wyman say to Rock Hudson, "Sometimes I think you wish I were a man") or
'Imitation of Life'.
With 'Far From Heaven' indie poof Todd Haynes aims to recreate Sirk's odd, unique style down to the most minute detail, and he succeeds to an often ridiculous degree (which undermined the drama a bit I thought). The magnificent Julianne Moore plays Cathy Whitaker, a poised, cheery suburban housewife whose world of picture-perfect domesticity is just begging for a jolt of some kind. There are actually two jolts, delivered one after the other: first, Cathy learns that her businessman husband Frank (Dennis Quaid) is a miserable homo (quite against his will, which is very funny to watch), lurking around gay bars full of camp things drinking cocktails and shagging a young man over the desk in his office. Heavens to Betsy! Then, to add oil to the fire, Cathy finds herself seeking refuge in the company of her
kind, proto-yuppy black gardener, Raymond (Dennis Haysbert). So many Dennises, so little time...
Performances are just this side of camp, just short of diving headlong into a Connecticut version of Coronation Street. Emotions are constantly bubbling under the surface but rarely poke their heads above the amazing production design, the lavish color-coded costumes, the psychedelically lush photography (by Edward Lachman, who shot 'Kids' for Larry Clark) and the '50s schmaltz of Elmer Bernstein's score (he has been scoring movies since the '50s, after all).
Moore soaks Cathy with buckets of optimism against the most ridiculous odds: the more her world falls apart, the harder she smiles. Watching that gorgeous smile collapse repeatedly in the face of one sticky situation after another, and then magically reappear is the best bit of the film. Don't wanna spoil the ending for anyone so I'll stop there. I loved the bit in Miami (heyday of big hotels and swimming pools) where Dennis Quaid showed us his lovely torso, the cars were great,
the furniture and interiors were to die for (darling) and
the costumes and hair stunning. But, and it's a small but (unlike mine!), I was left a little unmoved by the drama (unlike two weeks ago when me and Darren were reduced to snivelling on our sleeves at the end of
'Imitaion of Life'). Very enjoyable but not as good as 'The Hours'.
I've just found out that Julianne Moore had the same initials for her character in Todd's 'Safe' - Carol White. Spooky. Is she his muse now?